Podcast Monetization in the Future with Sam Sethi
What does the future of podcast monetization look like?
Today I'm joined by Sam Sethi, founder of https://www.podfans.fm, a new platform embracing creator culture and a pioneer of the value for value movement within podcasting and beyond.
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Transcript
What does the future of podcast
monetization look like?
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:And in particular, what does the future
look like for the independent creator?
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:It's something that a lot of podcasters
concern themselves with, especially in the
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:world of minimum revenue guarantees and
minimum download thresholds for
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:advertisements and big words being thrown
around like programmatic advertising.
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:The good news is that as an indie, maybe
we don't need to worry about any of that
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:so much.
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:That is what we're going to dive into
today here on the podcast accelerator.
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:I'm your host, Mark Asquith, and I'm
joined by a great friend and a wonderful
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:industry thinker and an actual industry
doer, of which I believe there should be
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:more.
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:But we'll talk about that on another
session.
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:We are going to talk all things value for
value.
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:We're going to talk all things
monetization.
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:We're going to talk all things the future
for the indie creator.
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:And we're going to talk about the brand
new platform called
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:hot fans.
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:Welcome to the show, Mr.
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:Sam Sethi How are you my friend?
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:Wow, I need to have one of you just lead
in me, go in front of me in rooms and just
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:introduce me.
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:That'll be amazing.
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:Toastmaster.
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:like a David Brent thing.
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:We'll get a nice boom box on my shoulder.
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:We'll play a little bit of Tina Turner.
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:You're the best.
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:We'll just any room you need, my friend,
I'm there.
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:I'm ready.
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:I'm ready.
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:That's it.
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:We're done.
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:Right.
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:Hello.
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:Hello.
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:I don't like doing this because I know
that everyone really should know you like
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:I know you because I know the fantastic
work that you do in the industry.
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:But I want to get to some of the cool
stuff that you're up to with, with the
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:product that you've got and some of the
thinking that you do, which I think is
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:vital, but I'm going to do the thing that
everyone else does at the end.
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:I'm going to say, Sam, tell us what you
do.
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:And importantly, give us your bloody
website, mate.
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:Okay, what I do, I co-host Pod News Weekly
with James Cridland.
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:We've been doing that for about three
years.
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:And so that's great fun.
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:It allows me to interview cool people and
talk with James about what's going on in
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:the industry on a weekly basis.
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:And it's so, so hectic every week.
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:Beginning of the week, I think, Oh God,
what we're going to talk about this week.
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:And by the end of the week, it's like,
Jesus, cut that we haven't got enough
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:time.
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:And invariably, the Pod News Weekly
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:We tried to make it a half hour podcast at
the beginning.
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:It's invariably 90 minutes on average.
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:It's ridiculously long.
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:So apologies to everyone about that.
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:And then on the side, just to keep myself
busy, I've got a new podcasting platform
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:called podvans.fm.
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:I love it.
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:I want to dig into that in just a second.
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:And before we do that, though, I do, I
want to set the scene.
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:I think that pod news weekly 30 minute
aspiration is actually a really good place
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:to start because that has been the
situation in podcasting.
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:I mean, I want to say at least for the
last five or six years, it was felt a
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:little different before that.
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:It was there was a lot going on, but it
didn't.
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:It wasn't I don't want to say mainstream,
but it wasn't as close to mainstream as it
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:is now, which then incurred the fact that,
you know,
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:wasn't as much money coming through it
because of that there was much less
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:interest and then there was this startup
boom there was this money boom there was
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:this boom of acquisitions and everything
just seemed to go crazy:
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:things started to change so as someone
that's really at the forefront of the news
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:and the response to the news every single
week it's easy for me to sit here and say
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:things have changed things are slowing
down and for other people to comment and
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:say things are slowing down but like is it
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:Is that true?
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:It doesn't feel like what you're saying
matches with some of the narrative that we
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:see online.
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:It seems as busy as ever.
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:I think what we're seeing is that people
are still actively involved in podcasting.
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:Yeah, there is a slowdown.
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:I mean, we all know that COVID resulted in
people sat at home bit bored, got a mic
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:out, started a podcast anchor gave it away
for free.
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:We got a influx of podcasts that you know,
let's be honest, some were not very good
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:and some were okay.
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:But but it wasn't
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:professionalizing it.
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:Now what we've seen post COVID, of course,
is a lot of that's gone away, people have
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:gone back to work.
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:And that's fine.
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:We've seen also companies now the stock
markets are beginning to say to companies
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:like a cast and others look, oh, you,
you've got some money.
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:Now we want to see some profit.
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:Yeah, great that you are still revenue
generating.
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:But Spotify, a cast, podimo, all these
others, let's see the money.
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:And so there's been some downsizing of
people and cuts.
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:I think the exclusives that were out
there, it was a good idea to start off
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:with.
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:Let's get, you know, big high profile
names, see if we can generate some numbers
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:around it in terms of people and that will
lead to more revenue and profitability.
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:Hopefully didn't quite work.
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:But I think again, looking at global,
there have been some amazing alternatives
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:where there's actually been a very clever
strategy.
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:So the news agents been brilliant.
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:I mean, the numbers you guys are hitting
are knocking it out of the park, but also,
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:you know, look at.
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:The rest is, you know, Goldhanger
Productions podcast.
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:They've got, the rest is politics, the
rest is football, and they're doing really
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:well with all of their titles.
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:And I think crowd networks, there's a lot
of good solid companies who are producing
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:good solid podcasts that are generating
real income and real revenue.
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:Now, what does that mean going down the
long tail?
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:Yeah, it's still hard work.
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:I mean, you know, most people are, you
now, if they're getting above:
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:listeners, they're still in the top
quartile, right.
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:So podcasting is not quite yet, you know,
s of:
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:But it is, I think an industry that's
gone, I liken it to remember web one.io
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:when everyone had crazy valuations, and
there was a pop and everyone went, Oh,
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:well, that's the internet over and done
with in law, let's all go home.
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:And then suddenly web two came and it
stabilized and real business models
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:occurred and real revenue occurred.
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:And we are where we are today.
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:And I think that's exactly what podcasting
is.
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:It's, it's seen its early days.
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:It's seen its massive pop rise with crazy
money coming into the industry.
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:And now there's been a downturn and then
slowly, I think 23, 24, the end of 23,
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:early 24, we're beginning to see proper
businesses and proper podcasting models.
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:different revenue models, but proper
models.
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:And so, yeah, I think we're a good
industry.
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:It's okay.
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:Yeah, I hear that.
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:And I love the comparison to web one and
web 2.0.
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:And we're going to talk about web 3.0.
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:And I'm always amazed how it's taking so
many hosting companies in podcasting to
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:get rid of their web 2.0 interfaces.
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:And some of them still got them.
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:You know, we all like stuff that looks
nostalgic, but time for an upgrade,
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:people.
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:Let's just move ahead with that one.
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:And I think that's representative of where
the industry was, though.
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:There was no real need to shift.
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:And you know, all sort of flippancy aside
with that one, it was a genuine, that was
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:a genuine issue.
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:There was no honest reason to shift
because, you know, you think about the
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:creator economy and you think about the
way that that's always worked and that's
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:always generated revenue.
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:And suddenly you get something.
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:And I don't want to be the guy that
invokes cereal, but I've got to do it.
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:You know, you get something like cereal
that puts podcasting on the map for the
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:consumerism in a much bigger way.
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:And.
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:you know, the boom can be directly
attributed to that kind of feeling where
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:everyone started to look at podcasting as
a media, as an industry.
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:And I completely agree with it now that
we've come out of the end of what appears
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:to be that talent boom, which, you know, a
lot of people say that was a silly move,
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:you know, let's why, why acquire Joe
Rogan's the best example, if you're not
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:going to be profitable.
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:I do think there was a lot of strategy in
that around just acquiring users.
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:And I don't think there was necessarily a
need for profit.
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:I think it was a loss leader in many ways.
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:Um, and it's.
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:I think to a lot of people in the
industry, it hurt their feelings a little
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:bit that podcasting was like the loss
leader for a platform.
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:And again, I understand that because we're
close to the industry.
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:But what interests me about the way that
you think and the way that you do things,
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:and I think we think pretty similarly on a
lot of these issues, is that podcasting is
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:sort of bundled in now.
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:Everything that is on-demand audio is sort
of called podcasting now.
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:And it's not, you know, if I go and watch
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:a Marvel movie, whether that's on Disney
or whether that's in a movie theater,
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:that's not bundled together with a home
video or something necessarily on YouTube.
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:And I feel like podcasting has got that
yet to come where, you know, crowd,
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:global, wondering, whoever's producing top
tier multifaceted IP that happens to be
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:delivered via a podcast to start with,
eventually starts to sort of not become
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:podcasts because
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:we feel that the creator economy is where
podcast is.
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:And we saw that last week or it was last
week, wasn't it?
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:With the new Batman original from Spotify
that just doesn't have the word.
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:It's an audio original, audio drama,
whatever the wording was, it just not got
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:the word podcast.
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:So do you think there's a challenge there?
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:And well, I want to bring this back to the
independence in a bit because I think this
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:is where pod fans work so well.
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:But do you think that is, is that pie in
the sky thinking or is there something in
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:that logic around why are we bundling
everything now under podcast?
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:Well, it's become the Hoover of the words,
right?
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:So when you say I'm going to go and Hoover
the lounge, you're not talking about
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:getting the brand Hoover.
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:It could be Dyson, right?
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:It's the generic word.
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:Google, we don't say search, we say we're
just gonna Google it, right?
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:I mean, so I think podcasting has taken
that generic mantle of anything that's
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:audio video that I can consume digitally
online.
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:And the
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:pragmatist, and I'll put myself in that
camp, you know, would say, well, it's not
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:really because it hasn't got RSS.
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:But look, 99% of people who are what we
call the normies are not bothered whether
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:it has RSS attached to it, right?
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:They open up Spotify, they open up
YouTube, they consume it.
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:And to them, it's a podcast.
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:So therefore it is.
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:And we just have to get over ourselves.
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:I think where we will evolve possibly is
new words will come out.
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:maybe as you said, we talk about films,
then we talk about DVDs, and we talk about
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:on demand, and we talk about streaming in
the video homeworld, you know, Netflix.
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:But equally, I just said, I'm going to
watch a film on Netflix.
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:And it doesn't really have to have that
connotation of a cinema attached.
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:So I think language is loose and flexible.
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:And I don't think we should get too hung
up on it.
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:But I think as podcasters go, yeah, I
mean, I think
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:think it's I'm I was against YouTube was
against audible in many ways, you know,
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:calling them podcasts.
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:I've sort of flipped I've gone like, you
know what, let it be because if we get a
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:secondary glow from the word podcast have
been picked up by some 18 year old or 25
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:year old who's just getting into it.
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:And then they go, Oh, what other podcasts
can I use or listen to or watch?
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:I'm happy.
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:They will they will eventually
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:get their education curve to where we want
them to be, but they have to start
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:somewhere.
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:Yeah, I felt that way about Anker back in
the day.
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:You know, you get a lot of the incumbents
having a real good cry about Anker.
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:You know, well, Anker's coming along and
it's free.
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:And if you're free, you know, if it's
free, then you're the product, which is
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:ironic, given, you know, that many of the
hosting platforms have freemium, which is
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:wild.
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:And I'd sort of treated that.
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:That's how I treated Anker as a, in my
mind was it's just a freemium product that
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:doesn't have a premium tier and guess who
was the premium tier?
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:You know, here we are at Captivate.
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:My logic was always the same that if
someone, I would rather someone start a
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:podcast using anchor and it was free and
then realized, oh, do you know what?
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:Okay, I enjoy this.
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:Now it's time for something different and
Captivate was an option for them.
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:Not even saying that we were the only one.
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:I would just rather we were in that mix
rather than them just say, oh no, I've got
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:to pay money for this thing that I might
not enjoy doing.
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:And yeah, it's a...
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:I feel exactly the same way about that.
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:So I'm with you on that.
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:I think that the evolution and the halo
that we all feel with regards to the word
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:podcasting, taking on various different
meanings.
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:I'm all right with that.
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:I think that's OK.
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:And there's merit to there's merit to open
in that market, because then to bring it
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:back to the revenue stuff, which I really
want to dig into, you can.
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:You can't bring more money in if you are
not making more people aware of what
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:podcasting is.
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:And if this is the way that it really goes
mainstream, then we can't.
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:I don't think we can be that sad about it.
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:So let's, let's switch up to the creators
then.
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:So let's talk about pod fans.
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:You know, even, even now, a lot of people
still think that monetizing a podcast as
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:an indie with.
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:You know, a hundred downloads, a hundred
listeners.
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:is super tough.
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:You know, they think it's difficult to get
sponsorships regardless of whether they go
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:direct and they've got a super niche
audience or not.
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:And many people are put off by that.
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:There are other ways.
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:All right.
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:So we know about that.
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:You've been a big pioneer of value for
value.
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:And pod fans is there, this new product
that you're launching this week into the
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:public domain properly is right at the
bleeding edge of that.
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:So can you spend a second or two just
educating the audience on, okay, what is
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:this whole value for value thing?
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:What is pod fans?
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:How does it work?
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:And actually, why should we be interested
in this?
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:Yeah, before I do, sorry, before I do, let
me take a quick step back because it looks
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:blame why value for value is important.
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:So when I was at Netscape, I was the
product manager, we created the browser
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:HTTP was the way that people learned about
the language.
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:And I remember going out and saying to
people, oh, by the way, Mark, it's called
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:a browser.
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:It's called a URL has starts with HTTP and
people were going never catch on.
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:don't understand what you're talking
about, first of all, and secondly, you'll
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:never catch on.
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:It did, as we all know.
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:So new vocabulary is always hard to get
into the lexicon of people's minds.
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:The second part of that was Mark
Andreessen, my boss never created a micro
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:payment system.
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:So in the absence of it, we got hearts,
likes, thumbs up as sentiment analysis.
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:So people wanting to tell the creator that
they like what they've done, that was all
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:they could give them.
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:There was no form of payment.
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:Then the creators went, well, I need
money.
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:I can't keep doing this for free.
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:So that they ended up creating advertising
around the content.
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:And that's where we got to today.
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:Now fast forward, and we have something
called Bitcoin.
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:Now, most people rolled their eyes the
minute you say Bitcoin.
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:And if I say it's a digital wallet, and
it's called a micro payment, and they call
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:Satoshi's.
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:Again, these are all new words, people
look at you going that'll never catch on.
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:It's all Swahili.
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:I don't know what you're talking about,
Sam.
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:Well, as I said, people didn't understand
what HTTP was either.
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:So there are about 50 million people using
digital wallets today.
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:So it's not, you know, small chump change,
there are a good number of people out
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:there.
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:And it's slowly catching on.
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:We're seeing the numbers, you know,
through various wallets increasing.
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:So what is a micro payment?
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:What is value for value?
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:So a micro payment is 100 millionth of the
Bitcoin, it has to be that small.
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:And why do you need it at all when you've
got PayPal and Stripe and Visa and
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:MasterCard and Apple Pay?
310
:Well, because all of those take payment
gateway fees.
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:And because they take those fees, if I
just wanted to give you Mark 50 P or a
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:pound for this show, I couldn't do it
because actually most of that money would
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:go to the payment gateway provider, even
if they accepted that payment, because
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:most won't even accept those small
payments.
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:So
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:This micro payment model came about and
that's the first part of it.
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:Now value for value is just a simple new
economic model.
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:It doesn't have to include micro payments
and Bitcoin.
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:Value for value is simply you mark set a
value for the content you're creating and
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:means the listener can agree with the
value you set or disagree and if I agree,
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:I just pay it and if I disagree, I can
make it higher.
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:I could say Mark you're stupid.
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:boy, this is the best show ever.
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:I'm doubling or tripling the amount I want
to pay you or I'm sorry, Mark, I'm a
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:newbie.
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:I haven't got quite into your show.
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:So I don't want to pay you.
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:I'm going to pay you nothing now.
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:I'm going to listen for free.
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:But when I become a fan, I will trip over
into paying you.
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:So value for value is a very simple model.
332
:We have it in real world.
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:You know, if somebody walks into a shop,
they see a sale ticket price, that's the
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:offer price, they can legally go to the
counter and offer a different price, but
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:we just too British, and we don't do it.
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:But bartering is that way.
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:It's a value for value is a very simple
real time model.
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:Now, what's nice about it with podcasting
is because you get a digital wallet and
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:you get these micro payments in them,
think of them as tokens, then, you know,
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:it's a direct payment between you, the
listener and the creator.
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:There is no third party.
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:There's no middleman.
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:There is no I'm going to do, you know, go
up here and I'm going to hold your money
344
:until I'm comfortable.
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:There's no none of that.
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:So direct payments.
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:which is the root of what Web Wando 1.0
was.
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:You know, if you remember Linewire,
Napster, Skype, it was a peer-to-peer
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:system.
350
:It was Web2 that made it client server
again.
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:And yes, you mentioned it earlier, Mark.
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:So I'll say it again.
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:Web3 is very much about decentralization
and peer-to-peer monetization.
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:And so we're going back to the roots of
the web and value for value is a new
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:economic model that really will benefit
podcasters
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:And sorry, Mark, this is the last part.
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:So the average CPM rate for an advert is
about $25.
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:If you're a creator with less than a
couple of you know, 100 users, you're not
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:going to get that $25 CPM rate, you're
just not.
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:So what can you do, you can go and get a
sponsor if you're lucky, maybe you might
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:get a few of your mates listening.
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:Great.
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:And who might want to pay you buy your
coffee or whatever it may be.
364
:But again,
365
:Kevin Kelly's seminal blog post was a
thousand true fans and all he said was
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:look, stop chasing millions of people.
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:None of us are Joe Rogan.
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:So if you've got a couple of hundred
people willing to pay you 50p an episode,
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:a pound an episode, that covers your
hosting costs and gives you a little bit
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:of money.
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:Now scale that up to the likes of a news
agent at global with 10 million users and
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:you know, then the revenue numbers
outweigh anything you'll get through
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:advertising.
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:But we're just in the early days.
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:And so when this
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:crosses over and it will, then people will
probably not want to be interrupted by
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:advertising and they will willingly pay to
listen to content that they're a fan of.
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:We're starting to see that shift as well.
379
:We're starting to see the trend of people
saying that podcasts have too many adverts
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:because that is the only way when you have
a large audience and the only extra thing
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:that you can do outside of listener
support, so through subscriptions,
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:memberships, or whether it's taking tips
as you alluded to earlier, the only way is
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:to simply insert one more ad slot, and
then again and again and again and again.
384
:So you do start to see now that people are
starting to just say...
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:Hmm.
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:This is becoming a bit of an issue.
387
:And then, you know, conversely, what you
then get is the model that you hear
388
:throughout, you know, everywhere.
389
:Every major production company is doing
this where listen, add free.
390
:If you give us money per month and what I
like about the way this works.
391
:And I'm always a I'm massively into new
tech.
392
:I'm always looking and playing and
tinkering right in the earliest stages of
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:new tech.
394
:And then as someone that runs a hosting
company, I'm always thinking, actually,
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:When do you bring this to the masses?
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:And when are the people that aren't in to
tech going to be ready for this?
397
:And I agree, you know, I think eventually
people will get on board with this
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:thinking.
399
:Because what I see as a major issue that
this begins to solve is that if I am an
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:indie creator, let's assume that I've
devoted my entire creator experience to
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:the Kevin Kelly logic, which I totally
agree with.
402
:I've got my thousand true fans.
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:How long has it taken me to get those fans
to become true fans enough that they want
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:to pay me?
405
:Like that entire, if you think about it in
marketing terms, as we always do, people
406
:like you and I, that conversion period,
that sales period is long.
407
:They listen to X amount of podcasts, a
number of episodes, and then they've got
408
:to discover that they like you, and then
they've got to really like you, and then
409
:they've got to be willing to give you
something.
410
:and then give you something regularly
every single month.
411
:Like that sales process is tough.
412
:Does this go some way to solving that
problem because it is such a.
413
:I don't want to say transient, because I
think that oversimplifies it and
414
:diminishes it a little bit, but it's very
fleeting.
415
:The decision, if that makes any sense.
416
:So, so what we currently have today is
what I call the Chinese buffet mode.
417
:So let's talk about Spotify or, or
subscriptions on Apple, right?
418
:Pay me in advance for something I've not
consumed.
419
:And if I don't drop a new episode, still
keep paying me because I want you to
420
:because that's all that a subscription can
do.
421
:Whereas with a value for value model, it's
a per minute payment basis.
422
:So let's say
423
:you start listening to a podcast and you
only listen to 20 minutes of an hour's
424
:show, that's all you pay 20 minutes worth.
425
:If you're listening to a book, exactly the
same thing model applies for value for
426
:value.
427
:I've listened to two chapters.
428
:I don't know how many books I've gotten
audible that I've got a third of the way
429
:through and never listened to all of it.
430
:The same works of video.
431
:And most excitingly, this model is also
now working for music as well.
432
:And that's one of the new things that's
come out.
433
:So you might only listen to 10 tracks
instead of listening to 50 tracks, but why
434
:pay for the 500 tracks in advance that you
never listened to?
435
:problem with that is if anyone listens to
Meat Loaf, each song's going to cost them
436
:45 quid.
437
:Oh, if anyone listens to Meatloaf, you
just shoot them.
438
:I'm going to tell that to the karaoke
group at the local pub because on Friday
439
:night, they get wild up there, mate, for a
little bit of meat.
440
:But no, I like that.
441
:I like that.
442
:I'm interested in the way that technology
thinkers like yourself will take what can
443
:be very abstract concepts like value for
value, like, you know, Bitcoin, like the
444
:Satoshi element of Bitcoin and do what all
the good people really have been doing
445
:since day one, which is putting technology
446
:that doesn't feel scary in between us and
that what appears to be the backend
447
:technology.
448
:So tell us a bit about Podfans because
that's exactly what this does.
449
:It's a well thought out product from good
thinkers to simplify something that can be
450
:complex for the creator.
451
:So tell us all about it.
452
:Tell us what Podfans does.
453
:And really what was the idea behind it?
454
:Where did it come from?
455
:Sure.
456
:So, complexity is fail simplicity is one
of my favorite sayings.
457
:And that's a guy called Edward De Bono
came up with that.
458
:When we started pod fans, there was no
point in trying to replicate Apple and
459
:Spotify, right?
460
:Just a subscription based model.
461
:We would fail.
462
:And when I started pod fans, probably a
year to 18 months ago, Bitcoin was just
463
:forming the Lightning Network, which is
this fast real time payment system was
464
:just forming.
465
:So these were new ideas.
466
:Core part of it is I firmly believe that
people's time and attention has value.
467
:And that value is I will only pay for what
I consume and I'll only pay for the time I
468
:listen rather than pay it all in advance.
469
:So when we found that this micro payments
existed and it was possible to do a per
470
:minute payment system for digital content
of any sort, that was the embryo for
471
:starting pod fans.
472
:So RSS, as we all know, is an open
ecosystem.
473
:You can consume anyone's RSS unless
they've blocked it or made it exclusive.
474
:And on that basis, we decided that we
wouldn't have advertising as the
475
:monetization model for creators, but we
would have this peer-to-peer direct
476
:payment system from fan to creator.
477
:So to build that, we had to fundamentally
start with creating the database, then we
478
:had to create.
479
:wallets and we have to create the
mechanism for measuring in real time
480
:across everyone who's listening.
481
:So we do we do a per second analysis over
the API.
482
:And we make and then we aggregate that
bundle per minute and then we pay it.
483
:And it works.
484
:It just works, right?
485
:We spent a year building this and it
works.
486
:And that's the cool thing.
487
:So now
488
:when you're a new user to podfans, it's
very simple, you join and in the
489
:onboarding process, you either have an
existing wallet, or you don't.
490
:If you do, we just verify against your
wallet, off you go.
491
:The learning curve is great because you
already understand what a payment system
492
:is, with micro payment and what a wallet
is.
493
:So now you're just understanding how my
platform works.
494
:And you know, the intricacies of my
platform compared to other platforms.
495
:If you haven't got a wallet, and that's,
you know, again, we have to reach those
496
:people who don't understand this.
497
:then we've got to educate you on the
onboarding as to how do you get a wallet?
498
:And we do that.
499
:And then we put in 10,000 sats into your
wallet as a part of the process and we
500
:reward you and we're trying to teach you
as well we call learn and earn.
501
:So we're trying to say to you look, you've
got your wallet you've joined here's some
502
:tokens here's some sats in your wallet.
503
:Now give us your email address or pick
your first five favorite podcasts or
504
:listen to your first show.
505
:and we will reward you for completing
tasks that add up to 10,000 sats.
506
:So when you get into the system and you
click play, it works.
507
:You don't have to go, Oh God, do I have to
get a credit card out now?
508
:Oh, I don't want to do that.
509
:I don't know these people.
510
:We also, as I said, we reward time and
attention so you can earn by being an
511
:active user.
512
:So let's say it was a fan of your podcast,
Mark.
513
:I could be sharing it.
514
:I could be boosting it, which is a comment
with a payment.
515
:I could be clipping in a piece and putting
that out to my social network.
516
:Each one of those is a verb, boost, clip,
share.
517
:And we've put a gamification engine inside
of pod fans.
518
:So we know there's 30 verbs.
519
:We know what exactly you do when you're in
the platform and we can allocate points to
520
:that.
521
:So yes, you pay if you choose to listen to
a podcast, you don't have to, but you also
522
:can earn by being an active fan of a
podcast.
523
:So we think that two way value for value
model.
524
:is what we've built and that's pod fans.
525
:the element of rewarding the attention of
a listener as well.
526
:I think that's really, really useful.
527
:Even the gamification element of anything
is always so powerful.
528
:And I do think that podcasting is yet to
really capitalize on that.
529
:We see words like engagement banded about
so much, but no one really does anything
530
:with it.
531
:So I really like this idea that you've
embraced that.
532
:And a lot of people are going to start to
say things like, okay, well, actually
533
:I listen to most of my podcasts on the go.
534
:I listen to most of my shows when I'm
doing something else.
535
:And it's usually on a smart device,
usually on a phone or whatever.
536
:So how do you handle that?
537
:Are you available mobile?
538
:Can people listen using mobile and using
pod fans?
539
:Yeah, the good news is we've created
what's called a progressive web app PWA.
540
:And all that means is browser based.
541
:It's not in the iOS store or the Google
Store.
542
:We don't pay Apple a 30% tax for any
transaction, which is why we did it.
543
:And it means it works across iPad, laptop
and mobile in the same way.
544
:And we just size the screen down to based
on the size of screen.
545
:So that's really cool.
546
:The one thing I was going to slightly
change one thing there was a report this
547
:week Mark just bear with me.
548
:Ashley Carmen from Bloomberg put out a
report saying that podcasters now
549
:beginning to fake their numbers in terms
of downloads.
550
:And why are they doing that?
551
:Well, fake until you make it is an
expression that you hear many
552
:entrepreneurs being told to say but
553
:reason they're doing that is because they
want to get that $25 CPM.
554
:Oh, how many how many people download your
book?
555
:Oh, yeah, a couple of 1000 people.
556
:All right, well, we'll sign you up.
557
:There you go.
558
:You can have some advertising.
559
:And then they find out it's a couple of
hundred people.
560
:So that is something that is quite common,
I'm afraid in the in the community.
561
:And also, we all know if you use something
like an Apple podcast, it auto downloads,
562
:that doesn't mean you auto listen.
563
:So you could have a back catalog of
hundreds of podcasts you've never listened
564
:to.
565
:But that gets reported back as a download
and therefore the advertiser thinks, oh, I
566
:should be paying for that.
567
:The last part of that mark is also we
don't know how far along in a podcast the
568
:person's listened to.
569
:So let's say there's three adverts, the
one at the beginning, middle and end.
570
:We all know the one at the end generally
doesn't get listened to.
571
:We know the one in the middle probably
gets skipped.
572
:If it doesn't get skipped, it will get
listened to.
573
:But we can't 100% know for certain.
574
:Now with pod fans, we know for certain,
because we know exactly how many minutes
575
:you've listened to, at what point you
dropped off.
576
:So we've got three metrics that we've
worked with a company in Canada who have a
577
:similar thinking called Bumper.
578
:And it's time listened, percent completed
and value paid.
579
:And you bring those three metrics together
and you can roll that up to a creator so
580
:they know exactly how long each listener
listened, but also in aggregate how...
581
:where people dropped off in your episode.
582
:You also know how much value was paid for
it.
583
:And those three, when you go back to an
advertiser, if you still want to put
584
:advertising into your own podcast, you
can.
585
:And then the advertiser is going to be
confident that yeah, actually, you know
586
:what, Mark?
587
:80% of your listeners listen to that
advert.
588
:Great, I'm going to continue paying it.
589
:So again, we've got this old download
model.
590
:We've got this fake it until you make it
and use a number model.
591
:And again, that's all changing as well.
592
:So...
593
:The way that we're doing micro payments,
it'll be not just good for creators
594
:linking to their fans, but it also be good
for advertisers trying to be 100% certain
595
:that their adverts are even being listened
to.
596
:It's such a challenge that because I think
this is responsible for a lot of the
597
:downside of the boom that we saw.
598
:So where we are now basically in the
industry, you know, the renewals of big
599
:brands looking at partnerships and looking
at even programmatic and so on where
600
:they're doing big ad buys across various
networks or different types of show.
601
:You often find renewals are so much more
challenging than the original sale because
602
:you're absolutely right.
603
:We can report on downloads, but that.
604
:That was only sexy when podcasting was
really, really new and it was the only
605
:metric.
606
:But now those same people are walking into
the meetings and saying, actually, all
607
:right, downloads are fine, but what did we
get?
608
:And you can't you can't constantly just
use brand positioning as the answer to
609
:that.
610
:And we know that's happening.
611
:We see that at the highest levels of
podcasting.
612
:We see that at the highest levels of ad
sales.
613
:And we see it reported very, very often,
which, as you said, leads to what we saw
614
:reported.
615
:today through Ashley.
616
:So yeah, I get it.
617
:I think it's fascinating.
618
:Now I think the thing that I would say is
the indie producer, so the person that's
619
:really, really busy, the person that is,
you know, getting the 50 or the 100
620
:download, you know, good loyal audience,
but actually, they've not got that much
621
:time.
622
:What's this going to do for them?
623
:Is this a challenge from a timing
perspective?
624
:Do they need to put piles of time into
working with something like pod fans?
625
:Or how does this accommodate those?
626
:Really simple.
627
:So we we've ingested probably about
500,000 podcasts and we'll increase that
628
:over the next few months.
629
:Obviously, all 4 million aren't what we
want.
630
:We talked about anchor earlier.
631
:So but we'll get all the best podcasts we
think they're out there.
632
:If yours is one of those podcasts, all you
have to do is then claim it.
633
:And when you claim it, you get access to a
backend dashboard for pod fans.
634
:Now
635
:A pod fan sets a default value for every
podcast out there at 100 sats per minute.
636
:So an hour show is six thousand sats.
637
:What's that in real money?
638
:About 50p.
639
:Right.
640
:So it's not a big problem.
641
:So once you've got a value for every
episode, you as the creator, once you've
642
:claimed your show, can go and change that
value.
643
:You can say, oh, OK, I want my show to be
10 sats per minute or a thousand sats per
644
:minute or zero.
645
:You can pick what you want.
646
:In the value for value model that will
just change at the front end and the
647
:listener will go Oh, that's the new value
that's set by the creator.
648
:But in the value for value model, I as the
listener have that final say I can still
649
:change that value as well.
650
:So as a creator, no, you don't need to do
much you go in and check that the podcast
651
:that you that's yours is there you claim
it and verify it and it has to be verified
652
:and we'll
653
:And then once you've done that, you set
your own values and then you market that
654
:out to your listeners that this is what we
do and your listeners then have choices,
655
:pay it or not pay it right.
656
:But there isn't much more you have to do.
657
:There's no, Oh my God, do I need to know
how to do a tag in the middle at minute
658
:one with a DAI link here and something
else and do I need to rub my head and
659
:scratch my tummy to do this?
660
:No, it's fairly self-explanatory because
you've got to, you get given a wallet when
661
:you joined.
662
:So it, you know,
663
:It's the same for creators as it is for
listeners.
664
:You just need a wallet to be receiving
your sats into.
665
:That's what I like about this concept is
that, well, like we said earlier,
666
:simplifying the complexity of all of these
mechanisms and moving parts that are
667
:required to benefit from blockchain
payments and so on and so forth.
668
:I think that's the real strength behind
the scenes of this is that I can set it
669
:up.
670
:And I know the word wallet, I know that
works, but I don't generally have to worry
671
:about it.
672
:So I commend you on that, my friend.
673
:I think that's fantastic work.
674
:What's the timeline for pod fans then?
675
:So this is, we're here, we're at 28th of
September.
676
:2023, what's the status of pod fans now?
677
:What's the next six months look like to
wrap this up?
678
:So earlier this week, we took off the
wrapper.
679
:It's now a beta product.
680
:It was an alpha.
681
:And so it's mobile, it's desktop, it's in
all those screens in between.
682
:That's great.
683
:And yeah, please go and use it.
684
:We've also built a really, I mean, talking
about paying SATS, Mark, we've built a
685
:feedback model where if you give us a bug
report, we pay you in SATS as a thank you.
686
:So we give you some SATS for reporting
bugs.
687
:If you give us a brand new feature
suggestion,
688
:give you some slats as well for that.
689
:So again, there's ways of getting earning
it.
690
:But fundamentally, yeah, you can go in
there.
691
:You can use it.
692
:Now what we are doing is increasing the
servers.
693
:We're building this.
694
:We talked about it very tangently.
695
:We're building a new music element to it
as well.
696
:So lots of independent music artists are
now being said, I don't really like
697
:putting my music on Apple and Spotify.
698
:I don't really make any money, but they're
beginning to create RSS feeds for their
699
:music.
700
:and uploading those to the index and then
we can download those and using a payment
701
:model value for value, they can get paid
directly by their fans and Ashley Ainsley
702
:Costello, sorry, an artist on who's done
this said on Twitter or X that she made 20
703
:or dollars when she did it across 60
streaming platforms and she made $400 in
704
:one day doing the same thing using SATs.
705
:artists are beginning to understand and
artists more than podcasters have a deeper
706
:connection to their fans.
707
:I mean, we all love to think our fans love
us, but realistically they are a little
708
:bit flirty.
709
:If we went away, they'd go away.
710
:Right.
711
:They wouldn't chase us down and find us.
712
:But if a music artist goes, you're like,
Oh my God, I love you.
713
:Where have you gone?
714
:Right.
715
:And, and their commitment to music is much
higher.
716
:So
717
:The value for value model works really,
really well with music.
718
:So we're adding a music element very
shortly to it as well.
719
:fascinating work as someone that builds
software, my friend, I know how difficult
720
:this is to pull off.
721
:And yeah, come on, commend you on the
work, but also just the way that you lead
722
:in the thinking as well.
723
:So yeah, absolutely commendable workers
always.
724
:And I think everyone should just give that
give this a whirl, even if I'm always a
725
:fan of trying things anyway, I think even
if you don't stick with it, I'm not saying
726
:that would be the case with pod fans, but
please, anyone listening, just go over
727
:there and try this and you can find that
at podfans.fm.
728
:So I heartily recommend that you do that.
729
:Well, Sam, it's always a pleasure.
730
:I know you've held an event this week with
James, which I'm sure was absolutely
731
:fantastic.
732
:I was out of the country for it.
733
:So I'm sorry I couldn't be there, but if
it's anything like the Manchester one, I
734
:know it would have been a roaring success.
735
:And yeah, look forward to seeing you in
person soon, my friend.
736
:Indeed, indeed.
737
:And we're going to a Liverpool game
together.
738
:So that'll be even more fun.
739
:That sounds good.
740
:Speaking of that, I appreciate that.
741
:I cannot wait for that.
742
:I'm looking forward to that.
743
:If you would like to send Sam and I some
beer money for that, you can do that at
744
:mark.live slash support.
745
:It's like we planned that, Sam.
746
:It's like this smooth segue into sending
747
:Thanks for watching!
748
:Any industry events outside of your own?
749
:No, no, I mean, I think we're coming to
the end of those.
750
:So we did our own one and I also went to
the British Podcast Awards this week and
751
:gave out an award.
752
:The next big event, Mark, for me, and
maybe you might be there, is the one in
753
:the LA podcast movement.
754
:I will be there.
755
:It'll be the first time back on the West
Coast since COVID because of the family
756
:and travel.
757
:So I'm excited for that.
758
:We actually booked the hotel.
759
:We booked the flights.
760
:We are there.
761
:So I'm excited for that.
762
:And for you listening out there, if you
are interested, go to podfans.fm.
763
:And if you've got any questions, just get
in touch with us on the usual channels.
764
:The Twitter's all, I'm not gonna call it
X, the Twitter's the best way to do that.
765
:And I'm at MrAsquith and Sam.
766
:You're over on Twitter as well, aren't
you?
767
:at Sam Sethi or at JoinPodFans.
768
:Just come and ping me and I'm more than
happy to give you an answer to whatever
769
:question you have.
770
:Amazing stuff and for you listening, enjoy
yourself.
771
:Thank you for tuning in.
772
:It's always a pleasure until the next
time.
773
:Keep on doing what you do.
774
:Keep sharing your voice, your thoughts
with the world and look after yourself.
775
:Bye bye for now.